miniatures Archives - Page 8 of 13

Daily Mini Interview: Miniatures by Phillip Nuveen

July 22, 2015July 22, 2015 admin

Miniatures by Phillip Nuveen

How did you transition from art and design into miniatures?

I’m a really creative individual, so my entire life is art and design. I work and create in so many mediums which I think is extremely helpful to my miniature work. So the transition is fluid and always happening.

Where does your interest in miniature stem from?

I absolutely love architecture. I love all art and design but buildings and interiors hold a special place in my heart. Everything is connected, of course, when it comes to aesthetic mediums. When I was a teenager I wanted to be an architect, but I was bad at certain types of math. My brain just doesn’t understand numbers. I excelled in geometry, but that’s about it. Which makes sense to me now because my mind works in a very visual way. I think in shapes and images. I’ll get an idea for a miniature, picture it my mind, build it in my mind and then execute in real life. I very rarely have to sketch out a concept. So not having the proper training to be an architect, I decided to start making the models to show the world that I can imagine beautiful buildings and interiors! Even though they are a scale version.

How has your work in miniature evolved?

Two years ago, I first embarked on an at-home project to make myself a miniature apartment. I gathered raw materials and just started from scratch. With each new miniature, it pushes my skills and perfectionist qualities further. I’m always hunting and keeping my eyes open for new materials.

The first few models I made were of a Mies van der Rohe inspired aesthetic. My mantra is “Less is more,” and I’m really into minimalism and modernity. So, the past few structures I’ve made have become more organic in shape, mainly drawing inspiration from my favorite architects Norman Foster and Zaha Hadid.

What materials do you use to make your miniatures?

It’s really all about the materials. An artist is only as good as his materials, right? Well, at the few art supplies stores left in NYC, I’m a regular! My basic building supplies are foamcore, balsa wood, crescent board, and acrylic sheets of plastic. There are a few different adhesives I’ve narrowed down that work best for me. I also use acrylic paint and decorative wooden surfaces, which I generally just print out from the Internet. I have my BFA in visual communications from Columbia College Chicago, where I studied design. Having developed design software capabilities allows me to design all kinds of things: book jackets, magazines, computers screens, framed art work images, decals, unique surfaces, miniature packaging, shopping bags, and more. Which all really bring a miniature space to life.

What is the most memorable miniature you have ever seen?

I’m honestly so obsessed with miniatures and models that I’ve seen too much to narrow it down! I feel that the art form is having a real resurgence and will be in the spotlight for a while, or at least I’m hoping it will!

Advice for beginner artists?

Take your time while creating and working. The more perfect you get it, the better it looks and photographs!

Why miniatures?

I just am in love with architecture and I started miniature work because it’s a way for me to show my ideas and concepts, rather than just using drawings or CAD renderings. Plus, I think the skills are the most impressive part. It’s one thing to have an idea for a structure, but then to actually craft it from raw materials and to be able to hold it and show it is my favorite part.

What’s to come from Phillip Nuveen?

As always, I’m trying to land larger freelance projects highlighting my miniature work or the other mediums I work in. I just did a fantastic series of miniatures for a large well known furniture brand to be used in an advertising campaign. The miniatures came out amazingly, they really pushed me outside my comfort zone and I’m very proud of them. However, the campaign is put on hold so I can’t show photos of the miniatures – so disappointing! I’m always thinking up new designs and updating my website and Instagram with fresh work!

What do you want miniature fans to know about you?

I would just like to thank everyone that is a part of the miniature art world. I really enjoy playing with scale and working in miniature. We all have to stick together and share our ideas and work to keep the medium alive!

Phillip Nuveen currently lives in Brooklyn, NYC. His impeccably designed and executed miniatures can be viewed on his website or on Instagram. Shop Phillip Nuveen miniatures now on Etsy!

A photo posted by The Daily Miniature (@dailymini) on Jul 29, 2015 at 11:32am PDT

The Miniature Exhibition Opens at Grunwald Gallery of Art

July 20, 2015July 20, 2015 admin

Miniaturists Unveil Top Works in The Miniature
Exhibition on View at Grunwald Gallery of Art, Indiana University
Friday, August 28 – Friday, October 3

Proxy_HavenLn — Thomas Doyle, *Proxy (Haven Ln.)*, 2013, mixed media

The Grunwald Gallery of Art at Indiana University in Bloomington, Indiana will kick off its fall exhibition series with The Miniature, an exhibition of miniature-themed work by ten renowned miniaturists and artisans. On view Friday, August 28 through Friday, October 3, this show will feature miniature work in a variety of media, exact miniature replicas of historical instruments or furniture, models, miniature worlds, and much more. Participating artists are Matthew Albanese, Nell Corkin, Althea Crome, Blane de St. Croix, Thomas Doyle, Joe Fig, Mark Murphy, William Robertson, Lee-Ann Chellis Wessel, and Michael Yurkovic. Gallery hours are Tuesday – Saturday from 12-4 PM.

Crome_Egypt1 — Althea Crome, *Ancient Egyptian Cardigan*, 2005, silk thread

A great number of artists working in miniature today display a compulsive motivation and an obsessive attention to detail. These talented artisans must create and customize tools to suit their needs; indeed the process of designing and constructing these tools is often as inventive as the finished miniatures themselves.

In conjunction with The Miniature exhibition, the following events are free and open to the public:

Lecture by Joe Fig
Friday, August 28 at 5 PM in Fine Arts 102

Opening Reception
Friday, August 28 from 6-8 PM in Grunwald Gallery

Lecture by Thomas Doyle
Friday, September 4 at 5 PM in Fine Arts 102

Demonstration by William Robertson
Friday, September 11 at 12 PM in Grunwald Gallery

Demonstration by Althea Crome
Friday, September 11 at 12 PM in Grunwald Gallery

For more information and images, contact the Grunwald Gallery of Art at (812) 855-8490 or grunwald@indiana.edu. Follow along on Instagram, Facebook, Tumblr, Twitter, or visit the Grunwald Gallery website.

Robertson_Install — Bill Robertson, *Gold Microscope*, 1998, 24k gold, wood, shagreen, Louis XV style microscope. Original in the Metropolitan Museum of Art.

StCroix_Install — Blane de St. Croix, *Two Ends*, 2011, mixed materials, each 8’ x 2.5’ x 5.5′

Fig_Lo_Res_Photo_Bleckner — Joe Fig, *Ross Bleckner*, 2007, mixed media

Daily Mini Interview: The World’s Smallest Portfolio by Michael William Lester

July 19, 2015July 19, 2015 admin

Michael William Lester Creates The World’s Smallest Portfolio
A tiny book of visual ideas

How did you devise such the brilliant concept of The World’s Smallest Portfolio?

The idea came from a great little self-promo brief by London illustration and animation studio, jelly London. The studio team asked students and graduates coming to their D&AD New Blood festival talk to get people talking about their own work. I knew I wanted to not just get people talking about my work as a whole, but specifically about the concepts rather than the style. So I set myself a challenge: “How could I present more of my ideas and less of my visual style?” My answer was to make something so small that only a really strong idea could still be communicated.

How long did it take to make each miniature portfolio?

The actual making took around 3 hours once I got the hang of it, but getting the first one right took a couple of days. The designing and prepping took about a week. I made 5 portfolios, each by hand, and each hand-signed.

What type of work is featured in The World’s Smallest Portfolio?

The work inside is a mixture of work I’d made previously and work that existed as a quick sketch or idea. A few of the ideas were created as part of my ongoing illustration work for IBM and Ogilvy, for example the Brazil flag eye was made during the world cup last week for their blog, and the Europe flag was a poster and animation I made earlier this year for them. The girl keyhole was literally just a sketch I had lying around. So it was a fun process to take these pieces of work, all at different stages and try and bring them together.

What materials went into the creation of The World’s Smallest Portfolio?

Here’s the complete list of things I used after printing, in the correct order: cutting board, craft knife, ruler, Wenger swiss army knife (reamer to score), bookbinding awl, needle, thread, bookbinders tape, magnifying card, Sharpie, and an elastic band. Having a bit of prior book binding experience was useful, but like most things in the creative world, skill is only a small part of it.

An interesting fact: the rainbow-esque strip at the end of the book was created by accident, the thickness of the card meant each page stuck out a little bit more. I originally planned to crop this down but in the end it became a memorable part of the design, I guess it’s good to not completely know what you’re doing!

Career highlights thus far?

Having the opportunity to work in Paris for a year with Ogilvy straight from graduation was incredible and I wouldn’t be where I am without it. I’m still incredibly grateful to Chris Rowson (now creative director at Ogilvy NY) who saw my work, believed in me, and got me over there.

Advice for beginner designers?

The only thing you should be focused on is making good work. In this age of social media, it’s easy to look around and think you’re behind everyone else. To think you’re not doing enough and spend too much time trying to promote yourself or gain a following to catch up…. Relax! Focus on making great work and everything else will follow.

Fellow designers that inspire you?

One of my favorites is Alan Fletcher. His book The Art of Looking Sideways is an incredible homage to imagination, and really got me into visual playfulness. There’s no order to the pages, it’s just a huge collection of stray (but very intelligent) thoughts. I actually found it lying abandoned on a street corner which is the perfect way to discover a book of randomness!

Plans to work with miniatures in the future?

The World’s Smallest Portfolio served an idea. It came from a problem and that was the best solution I could devise. If another brief requires some small thinking, then I’d definitely go in that direction again, but we will just have to see what crops up!

Other miniature work you enjoy?

As a kid I was obsessed with Kinder egg toys (okay, I still buy them from time to time). My studio desk is full of all kinds of little plastic figures.

Other activities you enjoy?

I dabble in guitar and enjoy reading existential philosophy.

Upcoming projects planned?

I have a big exhibition coming soon which right now I can’t say too much about but it’s very exciting!

Flip through The World’s Smallest Portfolio by Michael William Lester, a freelance designer and illustrator currently based in London, UK. You can check out more of his work online, or follow along on Instagram, Twitter, Tumblr and Behance.

A photo posted by The Daily Miniature (@dailymini) on Jul 20, 2015 at 10:02am PDT

Daily Mini Interview: Mackenzie McAlpin Miniatures

July 17, 2015July 17, 2015 admin

Mackenzie McAlpin Miniatures

| Website & Shop | #mackenzieminis & Instagram | Daily Mini Studio Visit |

What are some of your earliest memories that involve miniatures?

My mother made miniatures, so I remember watching her make all kinds of things. One of the coolest things she did was buy cheap Santa Claus figures and then she’d make a new face and sometimes even change their clothes, and then fill Santa’s bag with miniatures themed around a family’s hobbies. I always thought that was such a great way to make money and get to do what she loved. Mini making was just something she did on the side.

What kind of miniatures did your mom make?

Besides the Santa dudes, I remember her having a friend make a wooden Noah’s Ark and she made all the animals, two of everything she could think of. She made a lot of holiday-themed things, it was a way for her to earn extra money. She was a single mother with 5 kids so, she really needed the extra. Heart necklaces for Valentine’s Day, mini Santas and snowmen or snowwomen for Christmas, pumpkins with willow tree branches as the stems, Fourth of July flags with glitter… you name it. I still have some of the little guys she made, I have a Santa, an alligator, a bird, and a few others. She was so fun to watch. She worked with polymer clay and acrylic paints. That’s what I use too, I didn’t stray far from what I knew.

How did your mom’s work in miniatures inspire you to create your own?

Making miniatures was something that I just happened upon. I wanted to be a part of a group art show and decided I would make a miniature orange tabby cat. That was the first mini I made, as an adult. While I was making it I felt like my Mom was there helping me. It made me laugh… as if she was sooo happy that I picked her medium to work with. That felt really amazing. Doing something my Mother did. I feel a huge connection to her when I work. Also, I should mention that my Mother passed away 6 years ago… so it feels extra special to feel a connection with her through something she did, it makes the work even more important to me.

How long have you been creating works of art and photography?

I have been making art for so long. I feel like we are all artists starting out. Some of us choose different paths, but creativity is so strong in us as children. I was lucky to have a mother that nurtured that part of me. She loved every little thing we made, even if it was leaves and sticks in a paper bag, she loved it.

I started to get more serious about art in high school, because my art teacher, Tryon, ruled. She let me get into photography, but we didn’t have a photo department. We had to work with what we had, so I did a lot of collages with my photos (developed at CVS) and magazine cut-outs (National Geographic mostly). I loved them. I ended up going to college for Fine Art Photography and I still loooove making collages.

As for miniatures, I’ve been creating them for 2 years now. It’s still really new for me.

Describe the pieces from your most recent collection.

The mini boob pots that I make are a collaboration with my friend Isaac Nichols, he makes life-sized boob pots for actual plants. I always wanted some of his pots, but I couldn’t afford them, so I decided to make mini versions of them. Turns out, the minis were a big hit. I also make lots of food and handfuls of jewelry, little mugs, plants, beauty supplies, naked ladies dancing, animals, pretzels, and… and… and, well… I like to make lots of things. I’ve also just started a series of shadow boxes, so hopefully I’ll have a gallery show at some point.

Daily Mini recently visited Mackenzie’s Studio — see the photos here!

Why miniatures?

Without feedback from friends and family, I probably wouldn’t be making miniatures right now at all. They are who makes this a “thing” for me. I can talk myself out of everything pretty quickly, so having support from them keeps me going.

Do you create miniatures on a full-time basis?

I do not. I am a full-time odd job kinda gal. I babysit, I am a bookkeeper for a couple different companies, I work as a Production Assistant sometimes, I help teach little kids art… oh man, I have a long list of things that I’ve been doing for the past 10 years in Philadelphia. This is a rad place to make art and make a living. The community here is so supportive and I am lucky to have the friends that I have and be surrounded by people who understand my lifestyle. I am so very lucky.

Tools, techniques or materials you can’t live without?

Cheap acrylic matte finish paint, tweezers, music (I consider this to be a tool, without it, I get nothing done), sarcasm, my cat, and this weird little pencil that helps me shape each mini and at this point is coated with old clay and paint… it’s the best.

Advice for beginner artists?

Make what you want, how you want it, and keep at it. DO NOT try to be perfect. Let your personality shine through; that’s what people are drawn to in art, or at least that’s what I’m drawn to. Oh, and always work with good light.

What’s your most beloved miniature?

I don’t just have one. That’s the best part of miniatures! You can have a million beloved teeny things and they don’t take up that much space. BUT, I would say all the minis my Momma made, they are very dear to my heart. It’s cool to look at the way she made them and compare it to how I would make the same thing. I also have these really weird little pieces my boyfriend made me. One is a little mouse-like thing made out of clay and feathers. I call her Face Veil. And the other is a peanut on a piece of wood… I absolutely love them. They are the first gifts he gave me, and they make me smile.

What’s the most difficult mini you’ve ever attempted to create?

Custom miniatures are rough for me. I feel a lot of pressure and anxiety because I want the animals to look right, I want the person to be happy with their mini. Somehow they always turn out well, and I end up loving them, but it’s a hard thing to get started. I’m sure I overthink it. I have to take my own advice here and stop trying to make it perfect, because that’s impossible. Also, I’m sure my most difficult miniature is still to come.

What’s to come from Mackenzie McAlpin?

I’ll be working on updating my website off and on, as well as working on custom mini orders and OH! I’ll be selling minis at Art Star Pop Up Market at Spruce Street Harbor Park on July 25 (I will update my Instagram and my website accordingly). I also have a piece in the Fleisher Art Memorial Faculty Show right now.

What inspires you?

I can’t think of any one thing in particular as a source of inspiration… but I am definitely influenced by Miranda July, my family, Amy Sedaris, Billy Dufala, Isaac Nichols, LIFES HAPPENINGS, Gabriel Orozco, dollar stores, childhood, animals, boobs, women’s bodies, flowers, the sky, my cat, the moon, the sun, nature in general, people who work their butts off, Nan Goldin, routines in life, food, relationships, mistakes, children’s encyclopedias, sustainability, Mexico, Africa, music, rocks, Outsider Art, Folk Art, love, laughter, and that list could go on and on and on…

What are some of the most memorable miniatures you’ve seen?

Dalton Ghetti’s carvings are so perfectly wonderful. Also, Anatoly Konenko’s smallest aquarium in the world is crazy. I went to the Philadelphia Miniaturia in New Jersey last year and those people are no joke. They blow my mind.

Other activities you enjoy?

One of my favorite hobbies is Windowkitty on Tumblr and @windowkitty on Instagram. I get soooooooo much joy out of this. I started doing it probably 8 years ago and still love it.

Anything else you’d like to add?

Everyone should know that I like to laugh, love and have fun ’cause life is so short.

To see many mini more Mackenzie McAlpin Miniatures, visit Mackenzie’s website or check out #mackenzieminis and @kenzaloolee on Instagram! To see photos from a recent Daily Mini Studio Visit, click here!

A photo posted by The Daily Miniature (@dailymini) on Jul 19, 2015 at 2:38pm PDT

A photo posted by The Daily Miniature (@dailymini) on Jul 19, 2015 at 2:35pm PDT

Daily Mini Interview: Miniatures by Iulia Chin Lee

July 16, 2015July 16, 2015 admin

Miniature Woodwork and Micro Woodturning by Iulia Chin Lee

| Website |

How did you get started in miniatures and micro woodturning?

I met Johannes Michelsen at my first Northeastern Woodworkers Association annual showcase in 2001. He was the judge and demonstrator. In that show, I won first place in the miniature category. He also gave me the inspiration for miniature turning.

In 2010, I won ‘Best of Show’ along with one first place in ‘Case Furniture,’ one first place in ‘Table’, one second place in ‘Spindle Turning,’ and one first place in ‘Miniature.’ Those first three pieces competed and were judged against full-size work.

What materials do you use to make your miniatures?

I use lots and lots of different kinds of wood. It all depends on the piece I’m making. I’ve used acrylic, rosewood, ebony, brass for candlesticks and so much more. I prefer wood because every piece is different. The wood speaks to me and determines what the shape should be. Sometimes a nice pattern might be visible on the surface of the wood, but you might need to cut out that beautiful pattern to make your piece. I prefer to keep that pattern and figure out what shape will go with that particular pattern of wood.

Were you formally trained in the arts?

I have a double masters degree in oil painting and ceramics. As for woodworking, to cut the wood is one process, but to finish it is a whole other process. It can take me up to 2 days or more to finish a miniature woodturning. I’m most known my furniture. I started making miniatures in 1992. I prefer to spend time making miniatures rather than naming them. And so, I don’t name my pieces. I finish them on the lathe. Once I’ve removed a piece from the lathe, you can’t put it back on again.

What types of miniatures do you make?

As for the scale I work in, the scale of a miniature truly depends on the person’s perspective. I’ve been working in artistic woodturning for 20 years now. You simply cannot make two identical pieces because you can never find two identical pieces of wood. I use dried wood that’s been treated.

Favorite memories in your miniature woodturning career thus far?

There was a young boy who was fascinated with my work at a show. One of the pieces of furniture had a spinning top inside the drawer. I took tweezers and placed it in his hand. Turns out, years later he became a woodworker himself.

When I worked with cupboards, I made real joints, all dovetail joints. I won first place for my miniatures in a full-size woodworking competition.

One of my earliest miniatures was a Chippendale chest of drawers and a Queen Anne stool for my son.

What’s been especially challenging thus far?

Sometimes it’s very hard for people to get over the miniature scale of my pieces and those of other artists working in miniature. For the Northeastern Woodworkers Association, I always entered the miniature category and always won first place. However my works were becoming lost in the exhibition space. People didn’t even go to see my works. So I entered to be judged along with the full scale wood pieces.

Woodworking is a very competitive industry. It’s important for me to see my work and not think it’s a toy. I think that’s been the biggest challenge. When I show my work at a miniature show, they think it’s a toy or dollhouse. But my work is not just that. I’ve made brass turned drawer handles and so much more.

As I mentioned, I love to challenge myself. In addition to entering my work in the category of Miniature, I enter my miniatures to be judged against full‐size work. Below are some prizes I have won:

1st place in Spindle‐turning, 2007 (spiral candlesticks)
1st in Case Furniture (blanket chest)
1st in Table (colonial walnut table)
1st in Marquetry, 2011 (room box)
2nd place in Chair (ladle‐back chair)
2nd in Vase‐Hollowing (lidded vase)
2nd in Bowl‐Hollowing (nestled bowls)

What inspires you?

I have an interest in arts and cultural history. This interest comes together when I make furniture. I make only historically accurate pieces. I came across a Dutch Kas cupboard from 1730 at a local shop in Kingston, NY. It was a full size piece, so I made some drawings of the work, found the appropriate wood, then made a replica myself.

In 2012, there was a special exhibit in the Museum of the Connecticut Historical Society. The title was ‘A Craft of Tradition ‐ Current Work by The Society of American Furniture Makers.’ My miniature Dutch Kas was chosen among the 34 national, full‐size finalists.

What’s your favorite piece?

Whenever we as artists create a piece our mood (physical, mental, emotional) is always different. Sometimes everything simply comes together to break a record, as athletes in the Olympics might do. Everything is combined together in that one moment to create greatness.

Wood is like a jewel. When the wood speaks to me, I have to decide how to cut the wood.

What do you want miniature enthusiasts to know about you?

I have a few favorite pieces that have taken me months or more than a year to create. Sometimes when I encounter a roadblock in my work, I have to breakthrough somehow. I know that if I created three beautifully jointed doors of a dresser one night, I should not go to sleep and work on the 4th door in the morning. It’s a true challenge, but when I’m on a roll and in a creative state of mind, I do not sleep. I know that by going to bed I would lose whatever magic I had that day. I have good days and bad days. When I have a good day, I don’t want to stop. And that’s why artists have very irregular hours.

To see more of Iulia Chin Lee’s miniature woodwork and micro woodturning, visit the Chin Lee Miniature website.

Daily Mini Interview: Atomic Miniature

July 14, 2015May 17, 2016 admin

Atomic Miniature by Michael Yurkovic
Classic Mid-Century Modern Furniture and Accessories in 1:12 Scale

| Website | Facebook | Instagram |

My brand in this world is Atomic Miniature, dedicated to producing museum quality Mid‐Century Modern furnishings and accessories in 1:12 scale for the discriminating collector and miniaturist. I recently launched a GoFundMe campaign to support my craft with new tools and machinery. You can learn more and donate here!

Campaign Update: The Daily Miniature will match your donation to Atomic Miniature’s GoFundMe campaign! Contact dailymini@thedailymini.com for more information.

My formal training as an Industrial Designer exposed me to the world of design in general, and especially to the great designers/inventors of the mid 20th century, including Charles and Ray Eames, George Nelson, and Eero Saarinen to name but a few. I grew up in a middle class, blue‐collar family, and really didn’t have the exposure to these works of contemporary art in my everyday world. As I became more experienced as a designer, my appreciation for detail evolved, and I began to realize what made some of these deceptively simple designs so special. That is the major challenge for me in depicting designs from this era in scale: there are few elements to portray, but they must all be done with precision, and sometimes according to the eye and not the raw dimensions.

One of my careers to date has been as a professional toy inventor. I worked with my partner in all aspects of the discipline, from brainstorming initial concepts, to sketching, prototyping, and finished concept renderings. Then there was the presentation aspect, presenting to high‐level management from Hasbro, Mattel, and more. We sold a few concepts, and even managed to have an item included in the Museum Of Contemporary Art store in NYC. I learned tons about prototyping, electronics, mechanisms, materials, and various processes while doing this. We built all our own demonstration prototypes, so I had to learn many new things, especially about lighting and electronics. Very cool and challenging stuff.

Enough about me for a minute, there are some miniaturists out there who really do it for me. Bill Robertson, whom I had the pleasure of studying with for 6 days in Castine, Maine this past June. So much in the way of pure skill, historical knowledge, and teaching abilities wrapped into one. Add to this a great sense of humor and un‐rockable patience. It was an amazing time! Another idol of mine is Ichiyoh Haga from Japan. His work, like Bill’s, is so delicate and sensitive. Blows me away. His work in metals, wood, and any number of other materials cooks my mind. I especially like his Parisian shop fronts from the early 20th century. Lovely work!!

Ok, back to me, besides Mid‐Century, I find myself drawn to any number of styles. A bit schizophrenic yes, but having done a 17th century sewing stand in Bill’s class recently, I had a whole new appreciation of that era. Same with the work of Mark Murphy. His cabinetry is so beautiful and delicate; I want to know more about that. Nell Corkin and her wonderful work in 1:144. I’ve dabbled in that a bit, but she makes me want to dive in headfirst. Then there is Elizabeth Gazmuri and her wonderful claw foot cabinets. Mind-blowing, and something I’d love to try. Beth Freeman‐ Kane and her wonderful petite dioramas, so delicate and wonderful. I am so drawn to all that goodness.

I’ll be showing again with Tom Bishop at his fall Chicago Show, come by and say hi. Tom puts on a great event, and I’m happy to be there. Later on in November, I’ll be in Philly, where I hope to play some serious ping pong again with the dailymini team.

Advice is such a curious thing, but if there’s one thing I can suggest, and it may sound cliché-ish, but do what you love. If it’s art deco great, if it’s tiny animals, do it. If it’s something completely different like surfing, do it. There is only one you, damn it!

Industrial Designer and artisan Michael Yurkovic has over 33 years of experience. To support the development of his museum quality miniatures, you can now donate to his GoFundMe campaign. For more information and images, visit the Atomic Miniature website and make sure to follow along on Instagram and Facebook.

A photo posted by The Daily Miniature (@dailymini) on Jul 15, 2015 at 12:22pm PDT

Daily Mini Interview: Miniatures by Hernán Buljevich

July 14, 2015July 14, 2015 admin

Miniatures by Hernán Buljevich

| Website | Facebook 1 | Facebook 2 |

How did you first get into miniatures?

I started working on miniatures at university as I became interested in scale models as a way of representation. It was then when I realized what my future would be. I began to work with constructive details, and created replicas of existing places that I liked. Over time, I acquired experience and thought that my greatest accomplishment was the way I could pass down the essence of a place and its charm—whether a house, a restaurant, a bar, a historic building, or any kind of space, front door or interior room—into a miniature.

What inspires you?

The inspiration for my work stems from a lifelong love of classic Spanish culture, cuisine and bars. I started with Restaurante Botín in Madrid. Founded in 1725, Botín is one of the worlds oldest restaurants.

Every detail of my replicas is carefully carried out, not only to bring photographic accuracy but to represent the attractiveness of each place.

I am inspired by everyday life. I like to always be open to learning new things and new techniques, and I often apply other methods or techniques from another profession into what I do.

What materials do you use for your miniatures?

In order to perform said replicas I seek each material resembles the original: wood, cardboard, recycled materials. All materials I use are legitimate to carry out each of the works. It’s a matter of creativity. That’s how the miniatures get the different places owners’ attention. The owners are eventually attracted to the replicas and would like to have one of their own place.

Describe your process for making miniatures.

Having photographs of anywhere allows me to make a miniature. I get photos to paper, converting them into blueprints. I calculate the scale observing the photos. I think of each line, relief and measure of each part of the site. And then, I select the materials and all parts prepared to be later assembled, resulting in the final work.

Alma de España by Hernán is on view now at D. Thomas Fine Miniatures in New York!

Through photos or videos that can be sent by mail or email, one can start preparing miniatures. Many different materials can be used, enriching in detail the work to be accomplished. You desire one, you have it! Everyone wants his or her place in the world to be represented in a miniature.

Advice you would give to beginner artists?

What matters is the essence of the place or object we want to do, not accuracy. The important thing is to give the work life.

Tool you can’t live without?

I use many improvised and homemade tools. I can not live without my tweezers and nail files. These are what I use most.

What appeals to you most about what you do?

The creativity to find the materials to make things from real life in miniature, is a very fun challenge. The best we can recycle and transform any object.

Other activities and hobbies you enjoy?

I began with this as my hobby, really I am an architect. What I enjoy the most is traveling.

Argentinian artist Hernán Buljevich recreates well-known bars and restaurants in miniature. To see more of his work, visit his website or follow along on two Facebook accounts: here and here.

A photo posted by The Daily Miniature (@dailymini) on Jul 24, 2015 at 12:33pm PDT

Daily Mini Interview: Miniatures by MiniArtHouse

July 13, 2015July 13, 2015 admin

Miniatures by MiniArtHouse

How did you get started working with miniatures?

Once, turning over the pages of a magazine dedicated to design and decor, I saw a small dollhouse. It had every thing inside: furniture and tableware. It made me so excited. Later, I wanted to make the same house for myself. My husband helped me and we made our first dollhouse. It was a Dutch house from the 16th and 17th centuries.We were interested in recreating some of the details of the interior, typical of that time and country. Upstairs in the bedroom, we did a wood-beamed ceiling, and in the dining room we created hand-painted tiles. Then we created an Italian house. At that time in Russia, miniatures were not so popular, so we had to do a lot by ourselves. In the process, we gained invaluable experience. Soon after, we set up a small family shop dedicated to miniature. Our store is filled with various miniatures.

Our main focus is handmade miniature. My daughter, Ksenia is an artist who produces miniature paintings and paints furniture. We create posters. My husband, Georgiy is interested in porcelain and ceramics. My husband and I pay great attention to porcelain. He makes the form of vases, pitchers, plates, and more. Then we paint and glaze the works. We try to find historical patterns of majolica and transfer them to miniature porcelain. I paint porcelain. I also create food from miniature polymer clay, and I love to sew and embroider cushions, rugs, tapestries, and paintings.

For the holidays, we make themed dioramas and roomboxes. For Christmas and New Year, I decorate little Christmas trees, Christmas wreaths, and garlands. We also create compositions, including shelves with plates, tables with fruit and vegetables, and still life works with food and flowers.

How many years have you been making minis?

We’ve been in the miniature business for about 5 years. We are always in search of creativity and the mastering of new techniques.

What different types of materials do you use to make miniatures?

In our works, we use polymer clay, clay, porcelain, wood, MDF, fabric, paint, pastel, plaster, paper, cardboard, floss, and more.

Advice for beginner artists?

For starters, we recommend you pay great attention to detail.

Material or technique you can’t live without?

Embroidery, modeling, ceramics, and drawing.

Why miniatures?

It’s a wonderful hobby. Miniature is the reflection of the world in which we live. Through miniature, we want to transfer all the forms, colors, and patterns that fill our lives.

What’s to come from MiniArtHouse?

In the near future we would like to try creating miniatures in the scale of 1:24.

Words you live by?

Beauty and creativity make our lives more interesting.

Miniarthouse is a family affair based in Moscow, Russia. Evgenia creates miniatures with help from her husband Georgiy and daughter Ksenia. To view more of their handmade minis, visit their website, shop on Etsy, or follow along on Instagram, Facebook or Pinterest.

A photo posted by The Daily Miniature (@dailymini) on Jul 21, 2015 at 11:22am PDT

Daily Mini Interview: Miniature Knitting by Althea Crome

July 10, 2015May 27, 2018 admin

Miniature Knitwear by Althea Crome

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How did you get into miniature knitting?

In 1998, I had my second “batch” of children. Augie (my first) was born in 1994, and then I had triplets in 1998! Two years later, in 2000, I built them all a dollhouse. I used to make knitwear for my children when they were babies. I would make gloves and baby booties, but always craved a bigger challenge. At that time, I was always using patterns by other people because I was intimidated to design my own work.

I began making 1:12 knit works using real needles not miniature needles. My first works were very bulky. I created a vest with roughly 30 stitches per inch. I just loved it. It was truly a light bulb moment for me. And so, my children’s dollhouse never got built as I became obsessed with knitting in miniature. I made all my works in scale.

How did you transition from making miniature knitwear for yourself to selling your work?

I had never been to a miniature show, nor had I seen miniatures before. The inspiration for my work was all in my head. I wasn’t writing down any patterns. In due time, I went to the closest miniature shop which was 2 and a half hours away. I put all my miniature works in a cigar box and brought them to the shop. The feedback I received was that my work was too bulky. So, I bought something like a small dress form or mannequin which helped with scale.

Early on, I tried to sell some of my bulky works on eBay which helped to connect me to lots of people in the miniature world. I was soon asked the question, have you ever tried gloves? My first try looked like a baseball mitt! I’ve saved all of these beginner works, by the way. I was so determined. Then I thought, “well now maybe I’ll use sewing needles.” I had previously tried using tatting needles for lace making. They have an eye on the end and are longer and not as sharp. Then, I started to use thread. I made a pair of gloves.

When I joined a miniature knitting and crochet Yahoo! Group, I found Sue Ressuguie. Her knitted works blew my mind. I could stare at her work for hours. She was the first person to mention the International Guild of Miniature Artisans Guild School in Castine. At that time, I started collaborating with Marcia Backstrom, a doll maker. Eventually I attended a show myself – two shows in one year, in fact: the IGMA Guild Show and Tom Bishop. In 2003, I attended the Guild School for the first time and the gloves I donated for the auction sold for $600!

How long would it take you to make one of your prototypes from your 24-hour class at IGMA Guild School?

For the 2015 IGMA Guild School, the prototype of the fisherman’s cabled vest took me about 1 week or less to make. I worked for about 5-6 hours a day.

The fisherman’s rope cable has a moss stitch. There’s also hints of algae and basket weaving in the design.

Have you ever made something so beloved you couldn’t sell the work?

Over the years I made very special pieces that were very conceptual. I made a Warhol sweater with soup can pockets and the iconic Marilyn Monroe on the back of the sweater. That work is now in the Kentucky Gateway Museum Center in Maysville. Kaye Browning is the Miniature Curator at the museum and she’s purchased a lot of my work.

For a period of time when I found I could not knit, a scuba diving trip really helped me get through a tough time. So, I knitted a special sweater all about scuba diving. It has on it a water spout, sharks, a dolphin following a boat, coral, fish, and my diving instructor finding a weight belt. I eventually sold this to Kaye Browning.

Some of my most special works are art history themed pieces including a work of a Greek amphora, and a Picasso piece. Those were really stand out works. My most colorful creations are 1:12 scale garments, each of which takes about 30 to 40 hours to design and 100-300 hours to knit.

What works will you start designing when you go home?

I have a pattern in mind right now: a medieval nativity scene based on a triptych. There will be panels in the front. Once I design it, I can knit it. I use a software program that’s a motif maker which pixelates the images. Sometimes I sketch out work or modify existing patterns.

Highlights of your knitting career?

I received a call from LAIKA Studios regarding making knitwear for a feature film. I sewed 14 sweaters and 5 pairs of striped gloves for Coraline. I made the star sweater with sparkles that she wears during the film. I kept the 15th sweater and still have it today!

https://www.youtube.com/watch?v=VT5MFdAB7fI

I was on the Martha Stewart Show a few years ago. Everyone in the audience was working on knitting projects. I was in the front row and spoke to Martha on camera, she had a couple of my pieces on a dish. She asked about some of my prices and I had a few minutes on screen. It was so much fun to do that!

I’ve also been featured in Ripley’s Believe It Or Not. It was a 2-page spread titled, “Prepared to Be Shocked!” There have been many other wonderful highlights thus far.

Advice you’d give to a new artist?

Follow your passions and work on what inspires you. Start a website, even if it’s only one page. No matter how basic it is, it will help people find you.

Advice you’d give to a new knitter?

One of your greatest resources will be a local yarn shop. Just sit and talk with them and listen to what they have to say. They’re knowledgeable when it comes to what yarns or what needles you may wish to try.

Advice you’d give to a new miniaturist?

Come to the Guild School. I’ve done miniatures and I’ve done other things I haven’t been thrilled about. I always longed to make art or make miniatures. I’m happy now, because my children taught me to pursue my passions. They are tenacious, and keep me creating.

Miniature knitting by Althea Crome has mesmerized the masses of mini enthusiasts around the world. If you’d like to learn from Althea, take one of her classes at the annual International Guild of Miniature Artisans Guild School. To see more of her miniature knitted works, visit AltheaCrome.com.

A photo posted by The Daily Miniature (@dailymini) on Jul 10, 2015 at 12:27pm PDT

Daily Mini Interview: Miniatures by Mini Mago Inc.

July 9, 2015July 9, 2015 admin

Miniatures by Mini Mago Inc.

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How did you first get started in miniatures?

I have always loved mini little things. Even though I had no idea what they were called or that the miniature world was so big, I loved them. I used to collect minis whenever I traveled and good miniatures don’t come cheap, so tried my hand at making my own minis. It turns out I have the flair for it and I enjoy the creative challenge. That was roughly ten years ago. And so, I gave up my then profession of being a fashion designer and became a full-time miniaturist. I’ve been making minis professionally for about eight years. As for my skills and techniques, I have learnt much over the years and keep educating myself everyday through books and the Internet.

What materials do you use to make your miniatures?

It all depends on what I am creating. I use mainly polymer clay for food items and most accessories. But it could be any number of materials depending on what I am creating. For example, if it’s drapes then it will be out of soft cotton fabric, or balsa wood for furniture, to name a few.

Advice for beginner artists?

Keep at it. Educate yourself. Ask question. Study objects you want to create. Have an open mind and a gigantic imagination.

Tool you can’t live without?

Tweezers, cutters, punchers, clay, and the Internet.

Favorite mini you have made yourself?

There are so many. Since I only make one of each, it’s hard to just pick one. They are like my children and mama loves them all!

What is the most memorable miniature you have ever seen?

Mr. Haga makes some really wonderful miniatures. Also Henry Kupjack‘s miniatures always make my heart skip a beat. There are so many amazing artists out there who inspire me to be better at what I love everyday, and I’m very thankful for it!

Why miniatures? What appeals to you most about what you do?

It’s always been a fascination of mine. Ever since I was a child, I remember loving small spaces and little things. Miniatures take you to a whole new world, and when you get to create those worlds for yourself, it’s even more amazing. I wouldn’t trade it for anything.

Upcoming projects planned?

Loads of plans and projects in mind, but finding the time can be a challenge.

Other hobbies you enjoy?

Nature and travel photography is another passion of mine. Gardening and animal rescue are as well.

Trudee Mago of Mini Mago Inc. hails from Colombo, Sri Lanka. View more of her miniature creations on her website, Facebook, or Instagram.