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Miniaturists Invited to Apply for IGMA Guild School Scholarship Program

July 28, 2015July 28, 2015 admin

August 1 Application Deadline Approaches for 2016 Guild School Scholarships

11001734_495437613947344_1262031359807214468_n — 2015 Guild School Scholarship Recipient Ron Stetkewicz displaying work by Bonni Backe at 2015 Live Auction

The Guild School Scholarship Program is made possible by the International Guild of Miniature Artisans (IGMA). Established in 1985, this scholarship program awards funding to deserving miniaturists interested in attending the annual IGMA Guild School in Castine, Maine. This year’s application for the 2016 Guild School scholarship is due Sunday, August 1, 2015. Click here to download the scholarship application.

A full-tuition scholarship is currently valued at $1425 and pays for 36 hours of instruction, plus room and board for the entire IGMA Guild School week. Recipients must provide their own transportation and assume any other expenses incurred such as materials fees for classes (typically $10-$200) and evening seminars (typically 0-$50).

The International Guild of Miniature Artisans is committed to the perpetuation and improvement of miniatures. Scholarships are primarily intended to make the Guild School experience available to students who might otherwise not be able to attend due to financial constraints. Scholarship applicants are evaluated on how their attendance at the Guild School could potentially contribute to:

the furtherance of miniatures as an art form and the raising of standards (including, but not limited to – adherence to scale and proportions, historical accuracy, etc.) in the creation of miniatures;
the quality of the applicant’s work and the degree to which the curriculum offered by the school would expand or enhance the applicant’s skills and areas of interest;
the dissemination of knowledge, enthusiasm, and skills to miniaturists within a local context, as well as around the world, by teaching, writing, exhibiting or other forms of sharing, both past and in the future;
the degree to which the applicant needs financial assistance for school expenses and how important attending the Guild School would be to them (fiscal priorities).

The source of funding for the Scholarship Program comes from various fundraising efforts held during the school week. The major event is the Live Auction. Scholarship students assist with displaying various auction items during the Auction. In addition, at the Opening Night Banquet, scholarship winners have reserved seating with other scholarship recipients and Scholarship Committee members. The IGMA Guild School scholarship provides a wonderful opportunity for individuals who appreciate (and wish to learn more about creating) fine miniatures.

For questions about the Guild School Scholarship Program, contact Chairperson Erin Carter today.

Top Miniatures on View at 2015 Guild Show

July 8, 2015July 8, 2015 admin

The International Guild of Miniature Artisans Presents Guild Show 2015

Three-drawer chest by Smaller Than Life (Pete and Pam Boorum, IGMA Artisan members), small carry box with handle by Bubba’s Country Cupboards (Barbara Vajnar, IGMA Artisan member)

The International Guild of Miniature Artisans (IGMA) was incorporated in the late 1970s with the aim of promoting miniatures as fine art. To that end, the Guild Show was established to provide a venue for talented IGMA Artisan and Fellow members to show and sell their work.

Open to the public, the Guild Show 2015 will take place this summer on Saturday, August 8 and Sunday, August 9 at the Teaneck Marriott at Glenpointe in Teaneck, NJ. The show is open to all and is conveniently located just across the river from New York City, easily accessible by bus and car. Admittance details for this year’s Guild Show are as follows:

Saturday, August 8 from 9 – 10 AM: Show Preview for Guild members only
Saturday, August 8 from 10 AM – 4:30 PM
Sunday, August 9 from 10 AM- 3:30 PM

General admission, open to the public: $10 one day, $15 two day pass
Children under 14: free
IGMA Members admitted free

Last year, the Guild Show celebrated its 35th Anniversary and is still going strong, featuring some of the best work in miniatures today. Guild Show events include extensive exhibits, classes, tours, auctions, and other festivities noted below:

Dealers
Broadway Night
Thursday & Friday Classes
Tour to Historic Hudson Valley
Gathering: Desserts & Demonstrations
Annual Meeting
Small Beginnings
Exhibits
Gallery of the Guild
Live and Silent Auctions
Area Events: NYC & New Jersey

Pre-show events commence on Wednesday, August 5. Visit the IGMA website for more information and directions. For details on becoming an IGMA Member, please click here.

Violets by Peter Gabel, IGMA Artisan member

Three-tiered wicker stand by Uncle Ciggie’s (Vicky Sanfield, IGMA Artisan member)

Urchin lamp by Studebaker Miniatures (Bill Studebaker, IGMA Artisan member), Queen Anne side chair by Mark Murphy, IGMA Fellow member

Daily Mini Interview: Miniatures by Nancy Summers

June 25, 2015June 25, 2015 admin

Miniatures by Nancy Summers

| Website |

How did you get started in miniatures?

I had a dollhouse when I was little. Early on, I was a dollmaker and made little dolls for the James Whitcomb Riley Boyhood Home & Museum in Greenfield, Indiana. I worked on little orphan Annies.

A customer bought a shadowbox and inquired about a miniaturist who could furnish it. So I made a kitchen for this woman and that was it. After that, I was hooked. My husband gave me an architect’s ruler (1 inch is 1 foot) and I began selling dolls at arts and crafts shows in Indiana. Several women from a miniature shop in Ohio came through one show and bought everything I had. They ordered more for a show in Sandusky, and there was a line of guests waiting to view the works on display.

Years later, I made furniture for Fox Studio’s 1992 movie Toys.

Latest news or projects in the works?

I was recently featured on the local news morning show regarding my carved woodwork. There was a segment about local artists so I connected with my town’s museum curator who asked me to be on television.

What miniatures have been most challenging for you to create?

Most pieces are challenging these days. Customers send me orders and send photos. Miniatures can take about 20 hours to create, and I work seven days a week. I used to work from 5 in the morning until midnight. There were many times that I worked through the night. Nowadays, I don’t begin work on my miniatures until after 11 in the morning.

Describe the evolution of your work.

Now I’m getting harder pieces. I recently created a baby bed with roses carved on to it. The back was slanted and curved and it came with a matching bookcase with carved roses.

I’ve created two copies of Catherine the Great’s bed. It took about 2 weeks to make it. It has cherubs on either end and an eagle on the headboard.

Do you collect miniatures yourself?

I keep the prototypes of the classes I teach. I’m working on several rooms that are not yet completed in four dollhouses I own. One dollhouse in particular is 39 years old. It’s an English Tudor with a shake roof that looks old now – an unintentional aging technique when you just let it sit! I also have two antique display cases filled with miniatures. I love a silver piece I have by Eugene Kupjack whose son Henry is still in business. And I own work by Indiana potter Jane Graber.

Did you ever trade pieces with fellow miniaturists?

I used to trade works with my friends. One time my friend from a miniature club made a needlepoint carpet for me and I traded her for a sleigh I made. I did a ½ inch scale room and she made all the food and accessories.

The club, Hoosier Mini-Mizers, meets once a month and they all take turns creating something. Two members are curators of the Museum of Miniature Houses in Carmel, Indiana.

Tool you couldn’t live without?

I could not live without my bandsaw. And my Dremel tool.

Most challenging piece you’ve made?

I made a headboard out of brass for a friend of mine. I’d never do that again, not out of metalwork!

Why miniatures? Why do you work in this industry?

I like to do it. It’s just me. Very few people have ever been in my workshop. It’s my ivory tower.

What do you want miniature enthusiasts to know about you?

People don’t think I make the entire piece. Often they just think I upholster. But I make all of the woodwork and the upholstery. I was an artist from the beginning, I was planning to go to college for fashion design but it didn’t work out. I made dolls for a long time, so if I ever quit making miniatures, I would go back to making dolls.

To learn more about Nancy Summers’ work in miniatures, visit the Summerville Miniature Workshop website.

Daily Mini Interview: IGMA Guild School Director Barbara Davis

June 23, 2015May 27, 2018 admin

International Guild of Miniature Artisans
Director of the Guild School: Barbara Davis

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How did you first get started in miniatures?

I was doing full-size furniture refinishing for my home; as well as being an antique collector. One of the antique stores in town had a dollhouse section. The owner also ran a local miniature show. I began making my own miniature furniture and eventually began selling at shows. I specialized in Early American country, painted, aged furniture.

How has your work evolved over the years?

I sold at many shows for a number of years and taught at the Guild School for 8 years. At the same time, I was moving forward in my career and became an elementary school principal, so I was not able to continue with minis.

How did you become involved with IGMA?

I heard about the International Guild of Miniature Artisans (IGMA) and applied to be an Artisan member. Then I sold at the Guild Show in NYC. Later I taught at the IGMA Guild School. I am now the Director of the Guild School.

Do you have any advice to prospective IGMA Scholarship applicants?

Just do it! It is a simple, but serious process. The Scholarship Committee is looking for artists who have potential to grow (beginners) or expand (experienced). We look for a commitment and passion for quality minis.

What advice would you give to a new miniaturist?

Go to the Guild School. If you are an artist, you can learn so much. You can meet like-minded miniaturists. If you are a collector, by taking classes, you learn so much about what goes in to a high quality item – you become a more astute collector.

What have been some of your favorite collaborations?

I have collaborated with Mary Grady O’Brien and Carol Hardy. As a director and collector, I love collaborations. The piece is usually very special and I see the excitement of the artists who collaborate: chatting, researching, planning, and more.

What inspires you?

I don’t “furnish” a dollhouse or a room. I collect pieces that are very fine and can stand alone as a work of art. So many artists inspire me by the beauty and skill they put into their work. That said, I tend to collect paintings.

What is the most memorable miniature you have ever seen?

Mark Murphy and Mary Grady O’Brien’s bird chair. I was outbid when they donated it to our auction.

Why miniatures?

I just like beautiful and interesting things and miniatures—because they are small—are easier to collect than the real thing. However, it is important to me that they be authentically made.

Anything else you would like to add?

The Guild School is for anyone. You can be a beginner and find a class that is just right for you. Or you can be a very skilled and talented Fellow of the Guild and find new and better ways of creating miniatures. I always hope that miniaturists will come to IGMA Guild School to learn and have fun.

Barbara Davis lives in California. Every June, she heads to Castine, Maine for the annual IGMA Guild School. To learn more about IGMA, visit the International Guild of Miniature Artisans website. You can also follow along on Facebook and Instagram!