Daily Mini Interview: Fine Art Miniatures by Natasha Beshenkovsky

Natasha Beshenkovsky Miniatures

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IMG_2892Can you describe your background in the arts?

I have been a professional artist all my life. I started my professional training at the age of 11 when I entered an art school in Moscow under the supervision of Academy of Art, where I continued my training for 7 years. After that, I studied film at the Moscow Film Institute. I graduated as a director and focused on short, 3D-animated films. I designed, wrote and directed the films which were shot on flat tables and used props approximately the size of 1:12 dollhouse scale. Through my work in animation, I got great experience painting and sculpting in small scale.

Daily Mini Interview: Wildlife Miniatures by Beth Freeman-Kane

Beth Freeman-Kane’s Wildlife Miniatures

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How did you first get into miniatures?

I think I was born to make miniatures. I started when I was 5 and 6 years old. I would create tiny little things out of Play-Doh and plasticine.

11180321_884679638263691_341634020975730590_nIn first grade, I made a little elephant and my teacher was blown away. The teacher insisted I show the elephant to her colleagues.

Throughout my teenage years, I focused  my miniatures on a lot of cartoons, including Disney, Asterix, and Giles cartoons. At that time, I was using Fimo clay. When I was about 15 years old, I discovered polymer clay. A few years later, in my 20s, I began mold making and reproducing works in resin.

Daily Mini Interview: Miniature Woodcarving by Steve Tomashek

Miniatures by Steve Tomashek

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How did you first get started in woodcarving?

My family always had an affinity towards the arts. As the youngest of seven, I was exposed to a lot of different art forms as a child. Carving was one of them. My father used to carve duck decoys, and I would recreate these in miniature form. As a young boy, I had an interest in war figurines, so I used to carve miniature tanks and airplanes out of wood. Later, I’d make carvings for my Grandma. lemur