Daily Mini Interview: Miniature Needlepoint by Annelle Ferguson

Miniatures by Annelle Ferguson

 |   Website   |

How did you first get started in miniatures?

I had a three-year-old daughter and decided she needed a dollhouse for Christmas. The more I put it together, the more I built it, the more I loved it. gallery_7_25_28642It was that very Christmas that a friend said a doctor in Oak Ridge, Tennessee was going to be at the local museum showing the dollhouses he made. I learned then in 1978 that there were dollhouse magazines and a miniatures shop in Gatlinburg.

The next year was the development of my passion. I was initially buying works at the nearby miniature shop in 1979, and that year I met a gentleman who was selling his miniature work at a crafts show. Through that connection and others, we formed a club in January 1980 and held our first meeting. We grew from about 4 people at first to 30 passionate miniature enthusiasts. We met for 20 years until about 2000.

What was the first miniature you created?

It was a sofa and a chair. I used a pattern from one of the club members. I was a crocheter and building this dollhouse at the time. I still have that crocheted rug from that dollhouse I built for my daughter.

When did you begin selling miniatures?

There was always a miniature show in Atlanta and in Lexington, Kentucky. We all learned about these events through well-known dollhouse and miniatures magazines. My next door neighbor had bought a dollhouse after seeing my own. In 1980, she was creating needlepoint rugs and she taught me how to do needlepoint. And I absolutely loved it. I loved it.

gallery_7_25_108035There was a show in Atlanta around April 1981, and one of the premiere needleworkers at that time was Barbara Cosgrove, who happened to be at that show. She made rugs and had a beautiful display. Down on her table, she had a small sampler. It took my breath away. It was an adaptation of an antique sampler. She shared more information about samplers from the 17th and 18th centuries. I immediately made a trip to the library in my hometown and checked out a book about antique samplers. That was the beginning of my design process. I was just so incredibly intrigued with antiques. My thought process at the time was, “I wonder if anyone would buy any of this.” And so, I showed work at my first show in October 1985.

My second show was April 1986: the IGMA Guild Show. I was very fortunate to have been accepted. And I did very well at that show. Actually, I lost my voice after it! I grew hoarse from explaining at length what antique samplers were.

12_ferguson_1How has your work evolved?

After learning about miniatures and antique samplers, I began my extensive research. I wrote and corresponded with various museums across the country. Wherever I had a show, I would look up the addresses of museums and curators. Over the years, I’ve had many special appointments, mostly focusing on the history of antique samplers. On one particular visit when looking at designs in storage, I came across decorative chair seats. These captured my interest as I had never thought about that as a needlework possibility.

bookjacket2I decided shortly after to write a book, wanting to inform the miniature industry about the history of needlework.

To this day, I still do research. Now it’s more on the computer. But I still have special appointments at museums across the world, whose teams are kind enough to bring out needlework for me to see and study.

What’s your favorite pattern?

Rhode Island samplers from the 18th century. An instructor in Providence created the most charming samplers I had ever seen.

What have been some of your favorite collaborators to work with?

16da54f228dc1bf4480b33e284c7d6beRichard Hardy, Mark Murphy, Elizabeth Gazmuri on a project for school, Gerald Crawford on exquisite Queen Anne furniture.

My favorite collaboration or project is one that I shared with others. Specifically I loved making a casket from the 17th century that we did here at school. Mark Murphy made the box. We taught the class over a 2-year period.

Materials you could not live without?

Silk gauze and silk threads. Years ago, at the IGMA Guild School in Castine, they had a “Then and Now” exhibit that featured people’s first works. My first creations were on canvas with wool and were quite funny to see.

What advice would you give to a new miniaturist?

The more you do, the better you get, the more experience you gain. People often rush in and don’t give themselves enough time to master their craft.ferguson

What do you want miniature fans to know about you?

I’m envious of those that are multi-talented. I decided long ago that creating miniature needlework was my passion.

I have one completed dollhouse currently, a country house. And I have several unfinished projects in the works because they need a piece of needlework and I still haven’t gotten to it.

I thoroughly enjoy participating in miniature shows. It continues to be a pleasure seeing, meeting, and visiting with other miniaturists.

Annelle Ferguson is a 22nd year instructor at the International Guild of Miniature Artisans (IGMA) Guild School. She hails from Tennessee and you can view her work in miniatures on her Mini Stitches website.

Daily Mini Interview: Miniature by Masako

Miniature By Masako

|    Website   |    Facebook    |

How did you first get started in miniatures?

After my husband and I moved to the United States from Japan in 2010, I spent a lot of time looking for my next calling in life. I thought for a long time about what I wanted to do in my new life here in the States. I had previously worked with a couple of European fashion companies in Japan as a merchandiser for 20 years. OLYMPUS DIGITAL CAMERAI loved my job, but I felt I had worked for designers for a long time. Now was the time to make something on my own!

While refinishing some old furniture, I noticed how beautiful natural wood can be after sanding. These particular furniture pieces were made about 90 years ago, and I said, “I took off your old makeup, now you can breathe fresh air.” Since then, I have admired the beauty of wood and the history of furniture. I thought, “I am not sure I can make life-size furniture, but I might be able to make miniature furniture.” And one day, if someone likes my work and decides to own it, she or he could pass it down from generation to generation. If I could make such works, what a splendid thing this would be! OLYMPUS DIGITAL CAMERAAnd I would be quite honored! This is absolutely what I wanted to do. I had to find a miniature school. My dream grew day by day. And then my passion for miniatures started.

After attending the IGMA School in 2011, the world of miniature history and craftsmanship fascinated me. I had known it was bold idea for me to participate in the school, but I wanted to take miniature craftsmanship very seriously. I developed a deep respect of miniatures and the original inspiration in life-size furniture. I worked tirelessly to realize reproduction details. I aim to never gloss over any original details in my 1:12 scale miniatures. I really enjoy the difficulty of creating these pieces!

How has your work evolved over the years?

For my first 2-3 years as a miniature maker, I focused my passion on determining what style of furniture “clicked” for me. OLYMPUS DIGITAL CAMERAI learned and developed my skills and techniques, rather than focusing on selling minis. For the past 2 years, I have focused on developing my skills further in hopes of obtaining the title of Artisan from IGMA. I soon learned what a wonderful experience it was to be a show dealer! Seeing people’s happy smiles and surprised faces makes me so very happy, and definitely energizes my work. Since I can only make a limited number of miniature furniture pieces per year, I sell these and take new orders at shows. Customers can contact me by email for commissions and I’m happy to share images of my work through online photo albums.

Where does your interest in miniatures stem from?

I’ve always been fond of the French style, especially Louis XV and hand carved furniture. Since I’ve been working in miniature furniture, I remembered from my childhood that I loved making mini, mini origami and wood carvings. I’ve also always loved Marie Antoinette.OLYMPUS DIGITAL CAMERA

What fellow miniaturists inspire you?

Geoffrey Wonnacott and Harry Smith.

Non-miniature sources of inspiration?

French cabinet maker François Linke and the Furniture Collection of Versailles (2 Vol. Set).

Where will you be exhibiting next?

I expect to attend Philadelphia Miniaturia 2015 from November 6-8.

For more information and images of Masako’s absolutely breathtaking miniature furniture, visit her website and Facebook page.